tag:blogger.com,1999:blog-81377132024-03-17T23:04:08.478-04:00Digitization 101Focused on innovation, copyright, and digitization.Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.comBlogger3141125tag:blogger.com,1999:blog-8137713.post-45411902610951067212024-03-08T10:04:00.000-05:002024-03-08T10:04:07.512-05:00The Copyright Office announces Webinar on Copyright Essentials: Myths Explained<p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;">Below is the text from the Copyright Office about this webinar. Copyright myths abound, so this could be very interesting! Registration is required.<br /></p><p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;"><br /></p>
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<p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;"> </p><p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;">The U.S. Copyright Office invites you to <a data-saferedirecturl="https://www.google.com/url?q=https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDEsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vbG9jLnpvb21nb3YuY29tL3dlYmluYXIvcmVnaXN0ZXIvV05faXZnRFhpdWdSdnVCeXdJQU5Fd1pMZyMvcmVnaXN0cmF0aW9uP2xvY2xyPWVhbmNvIiwiYnVsbGV0aW5faWQiOiIyMDI0MDMwNy45MTQ2NTA5MSJ9.wUdNfgkPw4yZRZyFYHClSKjpUmO6a4_nP7Rs5gXGx6A/s/1835916211/br/238453257117-l&source=gmail&ust=1709994767101000&usg=AOvVaw10U30HYGSNMBLl68PGXDHG" href="https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDEsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vbG9jLnpvb21nb3YuY29tL3dlYmluYXIvcmVnaXN0ZXIvV05faXZnRFhpdWdSdnVCeXdJQU5Fd1pMZyMvcmVnaXN0cmF0aW9uP2xvY2xyPWVhbmNvIiwiYnVsbGV0aW5faWQiOiIyMDI0MDMwNy45MTQ2NTA5MSJ9.wUdNfgkPw4yZRZyFYHClSKjpUmO6a4_nP7Rs5gXGx6A/s/1835916211/br/238453257117-l" rel="noopener" style="color: #1d5782;" target="_blank">register</a>
to attend the upcoming online webinar, “Copyright Essentials: Copyright
Myths Explained” on March 27, 2024, at 1:00 p.m. eastern time. There is
a lot of misleading information out there about copyright. Join us as
the Copyright Office discusses what is and is not true when it comes to
copyright. The Copyright Office wants to make sure you have the facts
and know where to go if you need more information.</p>
<p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;">In
this sixty-minute webinar, attendees will learn about the Copyright
Office’s functions, copyright basics, and the Copyright Office’s
educational resources. <a data-saferedirecturl="https://www.google.com/url?q=https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDIsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vbG9jLnpvb21nb3YuY29tL3dlYmluYXIvcmVnaXN0ZXIvV05faXZnRFhpdWdSdnVCeXdJQU5Fd1pMZyMvcmVnaXN0cmF0aW9uP2xvY2xyPWVhbmNvIiwiYnVsbGV0aW5faWQiOiIyMDI0MDMwNy45MTQ2NTA5MSJ9.FM2HampK92F_x_Sv2osnR6sbnCGLgLS5kXxvuFpaZWg/s/1835916211/br/238453257117-l&source=gmail&ust=1709994767101000&usg=AOvVaw1eL192lBcy83ZB_qPoH8Rr" href="https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDIsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vbG9jLnpvb21nb3YuY29tL3dlYmluYXIvcmVnaXN0ZXIvV05faXZnRFhpdWdSdnVCeXdJQU5Fd1pMZyMvcmVnaXN0cmF0aW9uP2xvY2xyPWVhbmNvIiwiYnVsbGV0aW5faWQiOiIyMDI0MDMwNy45MTQ2NTA5MSJ9.FM2HampK92F_x_Sv2osnR6sbnCGLgLS5kXxvuFpaZWg/s/1835916211/br/238453257117-l" rel="noopener" style="color: #1d5782;" target="_blank">Register here</a>. <br />Speakers:</p>
<p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;">• Jessica Chinnadurai, Attorney-Advisor, Office of Public Information and Education <br />• Laura Kaiser, Attorney-Advisor, Office of Public Information and Education</p>
<p style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin: 0px 0px 10px;">The
Copyright Office aims to broaden public awareness of what the copyright
system encompasses and how to participate. A cornerstone of our current
<a data-saferedirecturl="https://www.google.com/url?q=https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDMsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vd3d3LmNvcHlyaWdodC5nb3YvcmVwb3J0cy9zdHJhdGVnaWMtcGxhbi8_bG9jbHI9ZWFuY28iLCJidWxsZXRpbl9pZCI6IjIwMjQwMzA3LjkxNDY1MDkxIn0.n3fN84RxTSk6fU6YroCmNCeLOecdZ0M_1EW7QQq1qdQ/s/1835916211/br/238453257117-l&source=gmail&ust=1709994767101000&usg=AOvVaw1uBsQfIaq-_OYtTcmC2dw0" href="https://www.copyright.gov/reports/strategic-plan/" rel="noopener" style="color: #1d5782;" target="_blank">strategic plan</a>
is Copyright for All, and the Copyright Office dedicates itself to
making the copyright system as understandable and accessible to as many
members of the public as possible.</p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-17834279598441593002024-02-05T12:05:00.001-05:002024-02-05T12:05:38.021-05:00Webinar: Copyright for Archival Newspapers<p><span style="font-family: inherit; font-size: small;">I received this email note. This event is open to the public.</span></p><hr /><span style="font-family: inherit; font-size: small;">
<div style="background-color: white; direction: ltr; margin: 0px; text-align: left;">
<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;"> </span></div><div style="background-color: white; direction: ltr; margin: 0px; text-align: left;"><span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;">The <a href="https://padigital.org" target="_blank">PA Digital</a> Rights team will host an event at the end of February on Copyright for Archival Newspapers. We hope to see many
of you there. This event is open to the public, so please feel free to share the information with interested colleagues.</span></div>
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</span></div>
<div style="background-color: white; direction: ltr; margin: 0px; text-align: left;">
<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;">Copyright for Archival Newspapers</span></div>
<div style="background-color: white; direction: ltr; margin: 0px; text-align: left;">
<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;">February 27, 1 to 2 p.m. Eastern, on Zoom (Please
<a data-saferedirecturl="https://www.google.com/url?q=https://psu.zoom.us/webinar/register/WN_NueB_5mRRgyL5rCF9s3ZzQ%23/registration&source=gmail&ust=1707238200895000&usg=AOvVaw1WGGQbSq6tG_4HCNIJ0lY6" href="https://psu.zoom.us/webinar/register/WN_NueB_5mRRgyL5rCF9s3ZzQ#/registration" id="m_-3760953363728663852m_6849839036296736672m_3353327221814231634m_-3987460668027746013m_-122203008854204052OWAe79ee204-79ac-ed0c-6fa8-68c4290c3c71" rel="noopener noreferrer" style="margin: 0px;" target="_blank" title="Original URL: https://psu.zoom.us/webinar/register/WN_NueB_5mRRgyL5rCF9s3ZzQ#/registration. Click or tap if you trust this link.">
register in advance</a>.)</span></div>
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<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;"><br />
</span></div>
<div style="background-color: white; direction: ltr; margin: 0px; text-align: left;">
<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;">Do
you have copyright questions about digitizing archival newspapers? At
this event, Ana Enriquez from the PA Digital Rights
Team will cover how to check public domain status, analyze fair use,
and assign rights statements, with a focus on newspapers published in
the United States. This workshop will be an update and expansion of our
2019 module, Copyright for Archival Newspapers.
To view that module in English and Spanish, visit our <a data-saferedirecturl="https://www.google.com/url?q=https://padigital.org/rights-resources/&source=gmail&ust=1707238200895000&usg=AOvVaw2xYm7-ityJ9XGvw_aa8NNg" href="https://padigital.org/rights-resources/" id="m_-3760953363728663852m_6849839036296736672m_3353327221814231634m_-3987460668027746013m_-122203008854204052OWA1bf9ad09-99c8-d6ad-a43d-b9a8a83e7734" rel="noopener noreferrer" style="margin: 0px;" target="_blank" title="Original URL: https://padigital.org/rights-resources/. Click or tap if you trust this link.">
Rights Resources page</a>.</span></div>
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<span style="color: black; font-family: inherit; font-size: small; font-weight: 400; letter-spacing: normal;"><br />
</span></div></span><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-46223483771856935902024-02-01T14:42:00.004-05:002024-02-01T14:42:44.342-05:00 Copyright Office Hosts Event in Celebration of Black History Month, “Hip-Hop Beyond 50: Protecting and Promoting Culture” <p><span style="font-family: arial; font-size: small;">The following is from the U.S. Copyright Office. Sounds like an interesting event!</span></p><div>
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<p style="line-height: 1.4; margin: 0px 0px 10px;"><span style="font-family: arial; font-size: small; line-height: 1.4;"> </span></p><p style="line-height: 1.4; margin: 0px 0px 10px;"><span style="font-family: arial; font-size: small; line-height: 1.4;">The U.S. Copyright Office invites you to <a data-saferedirecturl="https://www.google.com/url?q=https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDEsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vd3d3LmNvcHlyaWdodC5nb3YvZXZlbnRzL2JsYWNrLWhpc3RvcnktbW9udGgtaGlwLWhvcC0yMDI0Lz9sb2Nscj1lYW5jbyIsImJ1bGxldGluX2lkIjoiMjAyNDAyMDEuODk1MDI5MDEifQ.q2aP07m_4070vCK8viuweFfxSTiCBIATnIgVrqr6Mm0/s/1835916211/br/236384267645-l&source=gmail&ust=1706898750434000&usg=AOvVaw3mU265_vo2kn6ZpFeRVawj" href="https://lnks.gd/l/eyJhbGciOiJIUzI1NiJ9.eyJidWxsZXRpbl9saW5rX2lkIjoxMDEsInVyaSI6ImJwMjpjbGljayIsInVybCI6Imh0dHBzOi8vd3d3LmNvcHlyaWdodC5nb3YvZXZlbnRzL2JsYWNrLWhpc3RvcnktbW9udGgtaGlwLWhvcC0yMDI0Lz9sb2Nscj1lYW5jbyIsImJ1bGxldGluX2lkIjoiMjAyNDAyMDEuODk1MDI5MDEifQ.q2aP07m_4070vCK8viuweFfxSTiCBIATnIgVrqr6Mm0/s/1835916211/br/236384267645-l" rel="noopener" style="color: #1d5782;" target="_blank" title="Hip-Hop Beyond 50: Protecting and Promoting Culture">register</a>
to attend the upcoming Black History Month online event, “Hip-Hop
Beyond 50: Protecting and Promoting Culture,” on February 21, 2024, at
1:00 p.m. eastern time. Hip-hop, a uniquely American art form rooted in
African American culture, marked its official fiftieth anniversary in
2023. The musical genre has been popularized all over the world,
encompassing MCing, DJing, breakdancing, graffiti art, beatboxing, and
more. In this sixty-minute session, attendees will learn from the
Copyright Office, industry experts, and practitioners about how hip-hop
has influenced creators worldwide and </span><span style="font-family: arial; font-size: small; line-height: 1.4;">about the Office resources available on sampling, interpolations, and beat stores.</span><span style="font-family: arial; font-size: small; line-height: 1.4;"> </span></p>
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<p style="line-height: 1.4; margin: 0px 0px 10px;"><span style="font-family: arial; font-size: small; line-height: 1.4;">Guest speakers include</span><span style="font-family: arial; font-size: small; line-height: 1.4;"> </span></p>
</div>
<div>
<ul style="margin-bottom: 10px; margin-top: 0px;"><li aria-setsize="-1" style="line-height: 1.4; margin-top: 0px;">
<span style="font-family: arial; font-size: small;"><b><span style="line-height: 1.4;"><span style="line-height: 1.4;">Dae Bogan</span></span></b><span style="line-height: 1.4;"> –<span style="line-height: 1.4;"> Head of Third-Party Partnerships at </span>The Mechanical Licensing Collective<span style="line-height: 1.4;"> </span></span><span style="line-height: 1.4;"> </span></span>
</li><li aria-setsize="-1" style="line-height: 1.4;">
<span style="font-family: arial; font-size: small;"><b><span style="line-height: 1.4;">Jamila Sams</span></b><span style="line-height: 1.4;"> – Founder and CEO of </span><i><span style="line-height: 1.4;">We Do it for the Culture</span></i><span style="line-height: 1.4;">™ and Go to Ms. Sams</span><span style="line-height: 1.4;"> </span></span>
</li><li aria-setsize="-1" style="line-height: 1.4;">
<span style="font-family: arial; font-size: small;"><b><span style="line-height: 1.4;"><span style="line-height: 1.4;">Bruce Waynne</span> </span></b><span style="line-height: 1.4;">– <span style="line-height: 1.4;">Grammy</span> <span style="line-height: 1.4;">Award</span><span style="line-height: 1.4;">–w</span><span style="line-height: 1.4;">inning </span><span style="line-height: 1.4;">m</span><span style="line-height: 1.4;">usic </span><span style="line-height: 1.4;">p</span><span style="line-height: 1.4;">roducer, </span><span style="line-height: 1.4;">p</span><span style="line-height: 1.4;">ublisher</span><span style="line-height: 1.4;">,</span><span style="line-height: 1.4;"> and </span><span style="line-height: 1.4;">l</span><span style="line-height: 1.4;">abel </span><span style="line-height: 1.4;">e</span><span style="line-height: 1.4;">xecutive</span><span style="line-height: 1.4;">;</span> <span style="line-height: 1.4;">President of </span>Vyre</span><span style="line-height: 1.4;"> </span></span>
</li><li aria-setsize="-1" style="font-family: arial, helvetica, sans-serif; font-size: 15px; line-height: 1.4; margin-bottom: 10px;">
<span style="font-family: arial; font-size: small;"><b><span style="line-height: 1.4;"><span style="line-height: 1.4;">Junious Brickhouse </span></span></b><span style="line-height: 1.4;"><span style="line-height: 1.4;">– Director of </span>Next Level, Hip Hop Diplomacy Program</span><span style="line-height: 1.4;"> </span></span>
</li></ul>
</div>
</div>
<div>
<div></div>
<div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1P-Pih8TB47fM6N7viZx_BmgUJv-ExReK9xuXUub9U1t6AdGhYH22u7cXzW_Ox7z9aAq10pnDjk0nnAgvQVX93lyjJlnhWXv68PMlU2q1tF36ob3q-zfds7sHB2R9TZl_75TExLAvUtGElPMRPfQjLe-h1_CNg2CpynpimXH2_oV3cJrpNVdQfA/s580/unnamed.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Hip-Hop Beyond 50" border="0" data-original-height="326" data-original-width="580" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1P-Pih8TB47fM6N7viZx_BmgUJv-ExReK9xuXUub9U1t6AdGhYH22u7cXzW_Ox7z9aAq10pnDjk0nnAgvQVX93lyjJlnhWXv68PMlU2q1tF36ob3q-zfds7sHB2R9TZl_75TExLAvUtGElPMRPfQjLe-h1_CNg2CpynpimXH2_oV3cJrpNVdQfA/w320-h180/unnamed.jpg" width="320" /></a></div><br />
</div><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-69999190557324125232024-01-19T16:19:00.002-05:002024-01-19T16:19:17.436-05:00Article: Is A.I. the Death of I.P.?<p>This <a href="https://www.newyorker.com/magazine/2024/01/22/who-owns-this-sentence-a-history-of-copyrights-and-wrongs-david-bellos-alexandre-montagu-book-review" target="_blank">recent New Yorker article</a> may not be paywalled, so go read/skim it. While the article is ultimately about artificial intelligence and intellectual property rights, there are many examples in it that are not connected to AI. The article is full of good tidbits, such as:</p><p></p><p></p><blockquote>Judicial competence is also an issue...To
know why a Warhol silk screen counts as transformative, or to give
musical definition to a song’s “feel,” you need a kind of expertise that
most judges—most people—don’t have.</blockquote><p></p><p>One book mentioned in the article is <span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="81vrv5-1zzeoy-n6uat1-qgaj4z" id="productTitle"><i><a href="https://amzn.to/4222u5L" target="_blank">Who Owns This Sentence?: A History of Copyrights and Wrongs</a></i>, which will be release on Jan. 23, 2024. (paid link) Amazon's description of the book states that it...</span></p><p><span></span></p><blockquote>is an often-humorous and always-enlightening cultural, legal, and
global history of the idea that intangible things can be owned, and
makes a persuasive case for seeing copyright as an engine of inequality
in the twenty-first century.</blockquote><p></p><p><span>From its description, this sounds like a book that is both informative and fun. Yes, one of the authors is an attorney (</span><span class="a-text-bold">Alexandre Montagu), whose area is intellectual property law.</span></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-80549741160191243882024-01-02T09:23:00.002-05:002024-01-02T09:23:23.481-05:00An early version of MIckey and Minnie are in the public domain!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJzdjOgEa5HySYLQY0TCL0dw5V3Whly0KuFp7N743rMhOhlIgZzduivtlBtp2b3NOlICmx5b9IXz_bCWpXJ4pOb-sIQRDbtyzkU4k9Ijyjq1X-miGuwrCpJrl1GcaeIZZ4aYopAzsRzIeimEkeYK6Cl3a6_R87Mk09kNza4bgPIn0mD-MNltxVSg/s300/Mickey_Mouse.png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Mickey Mouse" border="0" data-original-height="279" data-original-width="300" height="186" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJzdjOgEa5HySYLQY0TCL0dw5V3Whly0KuFp7N743rMhOhlIgZzduivtlBtp2b3NOlICmx5b9IXz_bCWpXJ4pOb-sIQRDbtyzkU4k9Ijyjq1X-miGuwrCpJrl1GcaeIZZ4aYopAzsRzIeimEkeYK6Cl3a6_R87Mk09kNza4bgPIn0mD-MNltxVSg/w200-h186/Mickey_Mouse.png" width="200" /></a></div><br /> Everyone is reporting on the fact that the ORIGINAL Mickey and Minnie Mouse are in the public domain. While this is good news, it is important to recognize that that this is not the Mickey and Minnie that we see today. So if you're going to use the public domain versions, make sure you understand what you're using.<p></p><p>The Morning Brew <a href="https://www.morningbrew.com/daily/stories/2024/01/02/mickey-is-finally-free-for-public-use?mbcid=33859090.3081632&mid=a1451581b68a5ad2ea382f0d4d6c048e&utm_campaign=mb&utm_medium=newsletter&utm_source=morning_brew" target="_blank">notes </a>these two limitations:</p><ul><li>Only the original versions of Mickey and Minnie, as they appear in <i>Steamboat Willie</i>,
are up for grabs. Character details introduced in later years,
including their white gloves, Mickey’s classic red pants, Minnie’s polka
dots, and their high-pitched voice, are off limits.</li><li>Disney still has a registered trademark on <i>Steamboat Willie</i>
Mickey as a company mascot, so folks who use the character’s likeness
have to make it clear that their project isn’t an official Disney
production.</li></ul><p>And if you're looking for a version to use, check out <a href="https://commons.wikimedia.org/w/index.php?curid=143281928" target="_blank">Wikimedia</a>. </p><p>Duke University has a <a href="https://web.law.duke.edu/cspd/publicdomainday/2024/" target="_blank">list </a>of what else joined the public domain this year. Use them and enjoy!<br /></p><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-4258284947737838042023-12-27T09:55:00.008-05:002023-12-27T09:55:00.131-05:00Lowry’s Reports Inc. v. Legg Mason: Settled in 2003 and still relevant<p>This fall I had cause to refer someone to the court case Lowry’s Reports Inc. v. Legg Mason, and that made me realize that I had never mentioned it here. This post is to rectify that and so I can find information on it more easily in the future.</p><p>An employee at Legg Mason routinely made unauthorized copies of a newsletter from Lowry Reports and disseminated those copies to people within the company, who had not subscribed to the newsletter. If I remember correctly, Legg Mason failed to cease and desist, which made matters worse. In 2003, a jury ordered Legg Mason to pay $19.7 million in damages.</p><p>If someone in your organization wants you to copy a newsletter, for example, and disseminated it widely...perhaps even to do so routinely...ask them what their risk tolerance is and mention this court case to them. It only takes one person, who has received or seen a copy of the newsletter, to alert the publisher. Is your organization okay with that risk?</p><h4 style="text-align: left;">Resources</h4><ul style="text-align: left;"><li>Justia. <a href="https://law.justia.com/cases/federal/district-courts/FSupp2/271/737/2563557/" target="_blank">Lowry's Reports, Inc. v. Legg Mason, Inc</a>., 271 F. Supp. 2d 737 (D. Md. 2003)</li><li class="heading-1" style="text-align: left;">Marketing Sherpa. (2003) <a href="https://www.marketingsherpa.com/article/blog/email-newsletter-wins-big-copyright#" target="_blank">EMail Newsletter Wins Big Copyright Lawsuit</a> </li><li class="articleTitle" style="text-align: left;">Baltimore Sun (2003) <span class="dfm-title premium"><a href="https://www.baltimoresun.com/2003/10/07/jury-orders-legg-mason-to-pay-197-million-in-copyright-case/" target="_blank">Jury orders Legg Mason to pay $19.7 million in copyright case</a></span></li><li class="articleTitle" style="text-align: left;"><span class="dfm-title premium">LLRX. (2011) </span><a href="https://www.llrx.com/2011/02/the-risky-business-of-information-sharing-why-you-need-to-care-about-copyright/" target="_blank">The Risky Business of Information Sharing: Why You Need to Care About Copyright</a><span class="dfm-title premium"> </span></li><li class="articleTitle" style="text-align: left;"><span class="dfm-title premium">Pillsbury Law. (2013) <a href="https://www.pillsburylaw.com/images/content/4/3/v2/4379/AlertAugust2013IPWhatYouShouldKnowAboutElectronicSubscriptionsan.pdf" target="_blank">What You Should Know About Electronic Subscriptions and Copyright Law: A Best Practices Guide </a></span></li><li class="articleTitle" style="text-align: left;"><span class="dfm-title premium">Copyright Clearance Center. (2023) <a href="https://www.copyright.com/wp-content/uploads/2015/03/White_Paper_Risky_Business_of_Information_Sharing.pdf" target="_blank">The Risky Business of Information Sharing</a>. This white paper is by CCC, which offers licensing options.</span> <br /></li></ul><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-74951482455622329832023-12-12T20:02:00.002-05:002023-12-19T18:54:41.587-05:00Conference: The Religious Origins of White Supremacy: Johnson v. M’Intosh and the Doctrine of Christian Discovery<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI5_mBz5rVXgAxuw-HDH8JMRQZE02K1iVIp0yPFYQOpKGxoTxQfNhl6nw37fSoEJ9gZ54161mAsCX6xbcnUOpR5Rk9LUcExEcXkOOEn-xY7p_i8Kpk0xdPThSunaSsPSRflAMbMhKJzdyNrLbIgaZRJ4Fpst18z0YHNxg1WgSbA_1qWwMi2f2XKg/s4032/brochure.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Cover of the conference program" border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI5_mBz5rVXgAxuw-HDH8JMRQZE02K1iVIp0yPFYQOpKGxoTxQfNhl6nw37fSoEJ9gZ54161mAsCX6xbcnUOpR5Rk9LUcExEcXkOOEn-xY7p_i8Kpk0xdPThSunaSsPSRflAMbMhKJzdyNrLbIgaZRJ4Fpst18z0YHNxg1WgSbA_1qWwMi2f2XKg/w150-h200/brochure.jpg" width="150" /></a></div><p>Earlier this year <a href="https://hurstassociates.blogspot.com/2023/03/stepping-into-role-of-executive.htm" target="_blank">I wrote about my new role</a> as the executive director of <a href="https://www.widerstandconsulting.org" target="_blank">Widerstand Consulting</a>. Widerstand works with organizations that are trying to dismantle racism within their institutions. Accepting that role has changed what I pay attention to, what I read, the conference sessions I attend, and more. This past weekend I attended the conference entitled, <a href="https://doctrineofdiscovery.org/blog/conference-schedule/" target="_blank">The Religious Origins of White Supremacy: Johnson v. M’Intosh and the Doctrine of Christian Discovery</a>. This was an international conference held at Syracuse University and it was packed with information. I want to use this post to share some of it. (There is no way I can share all that I learned. Wow!)</p><h4 style="text-align: left;">Introduction<br /></h4><p></p><p>Much has been written - and will continue to be written - about Johnson v, M'Intosh, which is a court case heard by the U.S. Supreme Court in 1823. <a href="https://www.casebriefs.com/blog/law/property/property-law-keyed-to-dukeminier/first-possession-acquisition-of-property-by-discovery-capture-and-creation/johnson-v-mintosh/" target="_blank">CaseBriefs </a>has a short synopsis. Notice that it says:</p><p></p><blockquote>The United States holds absolute title with the exclusive right to
convey land while the Native Indians only had a right of occupancy that
can be extinguished at any time.</blockquote><p></p><p>The Supreme Court opinion in this case was written by Chief Justice John Marshall and is part of the "Marshall Trilogy"that became the basis for U.S. Indian Law (also known as U.S. Anti-Indian Law). The ruling in this case - and in many others including City of Sherrill v. Oneida Indian Nation of New York (2005) where Justice Ruth Bader Ginsburg wrote the majority opinion - use the Doctrine of Discovery as their foundation, even if not named specifically.<i> </i> </p><p>What is the Doctrine of Discovery? The Doctrine is part of a framework established in the 15th Century by Catholic Popes and European Kings to acquire land. According to the Cornell <a href="https://www.law.cornell.edu/wex/doctrine_of_discovery" target="_blank">Legal Information Institute</a>:</p><p style="margin-left: 40px; text-align: left;"><span id="docs-internal-guid-1893ffce-7fff-23a8-1ba7-ebbe3094ca47">The doctrine of discovery refers to a principle in </span><a href="https://www.law.cornell.edu/wex/international_law" target="_blank">public international law</a>
under which, when a nation “discovers” land, it directly acquires
rights on that land. This doctrine arose when the European nations
discovered non-European lands, and therefore acquired special rights,
such as <a href="https://www.law.cornell.edu/wex/property" target="_blank">property</a> and <a href="https://www.law.cornell.edu/wex/sovereignty" target="_blank">sovereignty rights</a>,
on those lands. This principle disregards the fact that the land
oftentimes is already inhabited by another nation. In fact, this
doctrine was used in order to legitimize the <a href="https://www.law.cornell.edu/wex/colonialism" target="_blank">colonization</a> of lands outside of Europe.</p><p>The doctrine has affected Indigenous people around the world. It was this doctrine, the Johnson v. M'Intosh decision, and the ongoing effects of both that were the basis for this 2 1/2 day conference.</p><h4 style="text-align: left;">Indigenous-Centered Space</h4><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSioDfeKW9mhqf39ugfLfm2ZyJ3g4_issU_2L-UAcbkvbGkTd2-m419FkxQ8yn4qgEZgb__eQqfJTMsG_NgnOAIUfjlnzC-o0vSB5RrKhVs1kawhJsp4lryfzGrIY1shAcEcBKW4WT_222jltqkmwtK8uGpQeoFbiWx5B2AJffMvV9_U_2ZBBBjw/s4032/IMG_6810.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Haudenosaunee Social Dancers" border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSioDfeKW9mhqf39ugfLfm2ZyJ3g4_issU_2L-UAcbkvbGkTd2-m419FkxQ8yn4qgEZgb__eQqfJTMsG_NgnOAIUfjlnzC-o0vSB5RrKhVs1kawhJsp4lryfzGrIY1shAcEcBKW4WT_222jltqkmwtK8uGpQeoFbiWx5B2AJffMvV9_U_2ZBBBjw/w200-h150/IMG_6810.JPG" width="200" /></a></div>I need to note that this conference was held on the unceded ancestral and current land of the <a href="https://www.onondaganation.org/" target="_blank">Onondaga Nation</a> at Syracuse University. <a href="https://doctrineofdiscovery.org/blog/conference-schedule/#sponsors" target="_blank">Many sponsors</a> supported this conference, including the Henry Luce Foundation. The Onondaga Nation and speakers from other Indigenous communities - including <span style="color: #0d0d0d;">Māori creatives and activists from the land we know as New Zealand </span><b><span style="color: #0d0d0d;">- </span></b><span style="color: #0d0d0d;">were ever present to provide their point of view. They helped the rest of us see the deep impact of the Doctrine of Discovery. Because of them, I learned more than I could have imagined.</span><p></p><p><span style="color: #0d0d0d;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #0d0d0d;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyi0BMufpQTHUn_I9BftdYSAMFDFEn5JxgIAUKV0tLFjajgynhio41GAFgjd7rw8IOCP1SBPt82uyC5MEPz7aRXuOO-jr1dhTTgbGapG1KCBGLH2iFbygDAeIildu9wVf2cNLhEHVU7DlmfWUwouRwyYCffR7XMTvyEL-h8w3a-fvOv3NpXKKxKA/s4032/IMG_6837.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Maori art projected on a digital screen" border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyi0BMufpQTHUn_I9BftdYSAMFDFEn5JxgIAUKV0tLFjajgynhio41GAFgjd7rw8IOCP1SBPt82uyC5MEPz7aRXuOO-jr1dhTTgbGapG1KCBGLH2iFbygDAeIildu9wVf2cNLhEHVU7DlmfWUwouRwyYCffR7XMTvyEL-h8w3a-fvOv3NpXKKxKA/w200-h150/IMG_6837.JPG" width="200" /></a></span></div><span style="color: #0d0d0d;">Besides the numerous and intense conference sessions, I'm glad that I was able to participate in the social dances on Friday evening, view </span><span style="color: #0d0d0d;">Māori art on Saturday, and partake in a </span><span style="color: #0d0d0d;">Māori event on Sunday. Those, along with a play (mentioned below) gave respite from the overwhelming amount of information I was ingesting, while also keeping me focused on my Indigenous siblings. </span><br /><p></p><h4 style="text-align: left;">Legal Perspectives</h4><p>Several attorneys and law school faculty presented at the conference including - and likely not limited to - Robert J. Miller, Steven Newcomb, Joe Heath, Beverly Jacobs, Nicolas Robinson, Paula Johnson, Dana Lloyd, and Peter d’Errico. These are people who have been studying Indian Law, fighting against the impact of the Doctrine of Discovery and Johnson v. M'Intosh, and working nationally and internationally on Indigenous rights. Their command of the facts and of court cases was amazing. </p><p>What really stood out to me is that we can't just look at recent history and the Doctrine of Discovery. We must go back to the 1400s and understand what the Papacy, Spain, France, Portugal, and England were doing and why. Then we must follow the impact of those intentions, and see how the Doctrine of Discovery continued to have impact, including in the Louisiana Purchase and other actions that the U.S. has taken. The Doctrine needs to be a constant lens that we use to view what is happening around us. And since the Doctrine was used worldwide, we should use that lens as we view politics, conflicts, etc. in other regions.</p><p>By the way, the Doctrine of Discovery is also referred to as the Doctrine of Christian Discovery, since the Papal Bull (papal decree) was issued by the Christian/Catholic Church (and before the Protestant Reformation). It is also referred to as the Doctrine of Domination, since its result was that one group (Europeans) used it to dominate those they encountered in other parts of the world.</p><p>The Doctrine of Discovery website contains information on <a href="https://doctrineofdiscovery.org/law/" target="_blank">relevant court cases</a>. I believe that Steven Newcomb, Robert Miller, and others have written books on this and there may be relevant talks available on YouTube. For example, a quick Internet search shows that Robert J. Miller has a number of articles and videos on this.<br /></p><h4 style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg1YbeN8wr0bya0Bs8evsHdBEr9Tl4yaoh0yxYHF5OleMtZd9EWaJpp7wKDiZ0IAK4D3EXeo1Av0rPyfUQA7-fF-ODceicqAvJmZYBleiKGmt4D3LyxiGjjQwOqO9SK3Lhtb2gkzArcuGVm0ZiL0Ci2ilMOIaj5yWIg_nv0OHXHfxjnsZArOHyKA/s4032/IMG_6852.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Sebastian Modrow" border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg1YbeN8wr0bya0Bs8evsHdBEr9Tl4yaoh0yxYHF5OleMtZd9EWaJpp7wKDiZ0IAK4D3EXeo1Av0rPyfUQA7-fF-ODceicqAvJmZYBleiKGmt4D3LyxiGjjQwOqO9SK3Lhtb2gkzArcuGVm0ZiL0Ci2ilMOIaj5yWIg_nv0OHXHfxjnsZArOHyKA/w150-h200/IMG_6852.JPG" width="150" /></a></div>Re-translating the Papal Bulls<br /></h4><p><a href="https://ischool.syr.edu/dr-sebastian-modrow/" target="_blank">Sebastian Modrow</a>, from Syracuse University, is interested in the papal bulls and has visited the Vatican Library where they are held. And he is translating them from Latin to English, mindful that how we think about the Latin now will be different than how they were translated years ago. <a href="https://doctrineofdiscovery.org/inter-caetera/." target="_blank">One document</a> is already available on the Doctrine of Discovery website.</p><p>During his presentation, Sebastian showed a map of the known world in the early 1400s, which helped to set the stage for speaking about the various papal bulls. We don't think about what the world looked like to those European explorers and what they hoped to be sailing to...and what they wanted to do once the arrived. We learn that Columbus, for example, was trying to get to India. However, would he have laid claim to land in India as explorers did in the Western Hemisphere? We they "just" exploring or were they trying to blatantly expand the empires of Spain, Portugal, France, and England.</p><p>At any rate, I look forward to reading Sebastian's work and hearing what he learns. I'm sure his translations will be important for those opposing what those papal bulls did.<br /></p><h4 style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpqfrVKZumFsVX2pcxPJn-MNIvzSPJZFGc0XEna2g3Uxp6YoSa5zPk53TTt_PRQVTvjxXAsG1fO9NOnt7a6xxlOhYaHpZ6BlaVr6zVdPU98UF395Ae1Z7oISbDAJCn51ZRLzMGbIQYcIOZRVRvvH_X0MXaJeNfEf-qNHeMpjpjif1izEva_xHMQ/s4032/IMG_6830.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Lutheran, Episcopal, and Catholic Bishops along with Freida J. Jacques" border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzpqfrVKZumFsVX2pcxPJn-MNIvzSPJZFGc0XEna2g3Uxp6YoSa5zPk53TTt_PRQVTvjxXAsG1fO9NOnt7a6xxlOhYaHpZ6BlaVr6zVdPU98UF395Ae1Z7oISbDAJCn51ZRLzMGbIQYcIOZRVRvvH_X0MXaJeNfEf-qNHeMpjpjif1izEva_xHMQ/w200-h150/IMG_6830.JPG" width="200" /></a></div>Religious Racism</h4><p>There were several sessions on religion and the Doctrine of Discovery, including a panel with the Episcopal Bishop DeDe Duncan-Probe, Lutheran Bishop Lee Miller II, and Catholic Bishop Douglas Lucia. All of the bishops are from Central NY. The session was moderated by <span>Turtle Clan Mother Freida Jacques (Onondaga). </span>Jake Haiwhagai’i Edwards offered replies to the statements made by the bishops.</p><p>This session stood out because the bishops were guarded, as might be expected. While information was flowing freely in the other sessions, this group was mindful - I think - of their role in their larger denominations. They can't go further or go faster than their denominational colleagues. </p><p>Bishop Lucia did ask how we can live out the <a href="https://press.vatican.va/content/salastampa/en/bollettino/pubblico/2023/03/30/230330b.html" target="_blank">repudiation issued by the Vatican</a>. One person in audience asked the bishops about <a href="https://sogoreate-landtrust.org/what-is-rematriation/" target="_blank">rematriating </a>land that their churches hold, which would be one way doing more than just saying words. Both the Lutheran and Episcopal bishops said that they are in the process of giving back land and hope to have something to announce in the (near) future. The Catholic bishop noted that it is the parishes who hold the land and so he will work to convince them to rematriate land as they can. </p><p>I'll note that Bishop Lucia did not mention the statue of Columbus which stands in front of the Catholic Cathedral in Syracuse. That statue has been hotly discussed by many. <a href="https://www.syracuse.com/news/2023/11/ny-appellate-court-again-rejects-arguments-to-block-columbus-statue-removal-in-syracuse.html" target="_blank">As of Nov 20, 2023</a>, a NYS appellate court has ruled that the statue can be removed. Syracuse Mayor Ben Walsh wants to move the statue to a different area. <br /></p><p>It would have been wonderful if the bishops had talked about how they are confronting the ongoing impact of the Doctrine of Discovery in their religious structures. And if they had nothing to point to, perhaps they could have talked about what they want to do in the future. What are their plans?<br /></p><p><span>Episcopal Bishop DeDe </span>Duncan-Probe said that she had told her congregations that they cannot do a land acknowledgement without having done some action to support the Indigenous communities. That seems wise.</p><h4 style="text-align: left;">Poster Sessions and Student Papers</h4><p>On Saturday, three students from <a href="https://www.nvcc.edu/" target="_blank">Northern Virginia Community College</a> presented on the political origins of the January 6, 2021 event which occurred at the U.S. Capitol. Professor Joel Harrison uses that event to engage students in how religion is impacting politics. It was good to see students thinking about this. They mentioned ideas and images that date to the Crusades as well as modern imagery. As undergraduates, their work was not as in-depth as what a master's or doctoral student would do, but it was still thought-provoking.</p><p>On Sunday, several <a href="https://www.esf.edu/" target="_blank">SUNY Environmental Science and Forestry</a> students, from the Diversity and Knowledge of the Environment Class, presented posters from their class taught by <a href="https://www.linkedin.com/in/sarah-nahar-31996357/" target="_blank">Sarah Nahar</a>. I spent a lot of time talk with one student (I believe Duncan Spatz) about his poster which showed what Manhattan might look like if it had never been colonized. Wow!</p><h4 style="text-align: left;">In the Court of the Conqueror</h4><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqT-FxjzorU2wskFKaeNnj6ybxE0CtFiIWWRMzKONdsbsE-42tQsVsjM11pEZtU7Bo68hdaVYdFH-x2BDT2V5m55JNexGyuSAXvPmOIG_Xc1JnLHAtV8nOkNYr-dhQL_LDsjcth_7BtDjSy7_EahXbeQkUlVTKin-5DQ1uRLWkX3vDgLzK2HA6w/s4032/IMG_6842.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="George Emilio Sanchez" border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqT-FxjzorU2wskFKaeNnj6ybxE0CtFiIWWRMzKONdsbsE-42tQsVsjM11pEZtU7Bo68hdaVYdFH-x2BDT2V5m55JNexGyuSAXvPmOIG_Xc1JnLHAtV8nOkNYr-dhQL_LDsjcth_7BtDjSy7_EahXbeQkUlVTKin-5DQ1uRLWkX3vDgLzK2HA6w/w150-h200/IMG_6842.JPG" width="150" /></a></div>Writer and performance artist, <a href="https://www.georgeemiliosanchez.com/" target="_blank">George Emilio Sanchez</a>, in collaboration with Patty Ortiz, performed his one-person play on Saturday evening. <a href="https://www.georgeemiliosanchez.com/in-the-court-of-the-conqueror" target="_blank">In the Court of the Conqueror</a>:<blockquote>...c<span style="white-space: pre-wrap;">onfronts the history of how the courts have diminished the Tribal Sovereignty of Native Nations, juxtaposed against sanchez’ experiences navigating generational trauma and Indigenous identity in an Ecuadorian immigrant household. </span></blockquote><p>It is an amazing piece, which reinforced what I had heard during the day. I laughed as I heard Sanchez talk about aspects of his life and then left speechless as he talked about the impact of the Doctrine of Discovery. This is a play that should be performed on college campuses as a way for students to think about U.S. law and its impact. I could imagine a performance being followed by an extended conversation, perhaps with law professors and Indigenous activists. </p><p>Because of an images that Sanchez showed, one of the things that occurs to me is that we do not learn in K-12 schools that the United States has land within its borders that is occupied by Indigenous nations. The U.S. is not a contiguous land, but has "holes" in it that are other nations. Imagine if children learned that?! That is something I learned as an adult and I should have learned it in fourth grade history.<br /></p><h4 style="text-align: left;">Only Scratching the Surface</h4><p>I wanted to get some thoughts written in a place where I could share them, but this post only scratches the surface of what I heard and experienced. One person likened the weekend as providing more information than an academic class and that is true. It was overwhelming. And because there was so much to say and discuss, nearly every session ran long and every break was eliminated! Very full days!</p><p>I'm looking forward to talking with some folks I know who attended the conference and sharing what we learned. I think the more I talk about it, the more it will become working knowledge and the more I may find ways of helping to counter the harm done by the Doctrine of Christian Domination. <br /></p><p>Thanks goes to <a href="https://artsandsciences.syracuse.edu/people/faculty/arnold-philip-p/" target="_blank">Philip Arnold</a> and <a href="https://indigenousvalues.org/about/our-team/#sctab9011" target="_blank">Sandra Bigtree</a> for organizing this conference. Thanks also to everyone who helped with the event and to all of the sponsors. Organizing an event like this requires many hands.</p><p>One final note. I have not inserted which nation specific speakers were from, because I do not want to be incorrect. I mean no disrespect and hope they and you who read this post will understand.<br /></p><h4 style="text-align: left;">Resources</h4><h4 style="text-align: left;"><span style="font-weight: normal;">There are MANY resources - books, websites, articles, videos - so this are just a few to get you started. </span><br /></h4><div class="elementor-background-overlay"></div>
<ul style="text-align: left;">
<li class="elementor-widget-container">
<span style="font-weight: normal;"><a href="https://doctrineofdiscovery.org/" target="_blank">The Doctrine of Discover Project</a>.</span></li><br />
<li class="elementor-widget-container"><span style="font-weight: normal;">The Coalition to Dismantle the Doctrine of Discovery. </span><a href="https://dismantlediscovery.org/resources/fact-sheet/" target="_blank">Factsheet on the Doctrine of Discovery</a>.</li><br />
<li><span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="4jiltm-qu0ggp-tnw1sh-ye34zx" id="productTitle">Steven T. Newcomb. (2008) <a href="https://amzn.to/3GA5OLv" target="_blank">Pagans in the Promised Land: Decoding the Doctrine of Christian. Discovery</a>. (Paid link)</span></li><br />
<li><span class="a-size-extra-large celwidget" data-cel-widget="productTitle" data-csa-c-id="4jiltm-qu0ggp-tnw1sh-ye34zx" id="productTitle"> </span>Steven T. Newcomb, "The Doctrine of Discovery, Unmasking The Domination Code," <i>Doctrine of Discovery Project</i> (23 August 2018),
<a href="https://doctrineofdiscovery.org/the-doctrine-of-discovery-unmasking-the-domination-code/">https://doctrineofdiscovery.org/the-doctrine-of-discovery-unmasking-the-domination-code/</a>. This page contains information on Newcomb's documentary based on his book. The film is available on Vimeo as well as DVD (fee).</li><br />
<li>Robert J. Miller. (2020) The Indian Law Bombshell. American Philosophical Society, <a href="https://www.youtube.com/watch?v=SyEDomuAzmM">https://www.youtube.com/watch?v=SyEDomuAzmM</a></li><br />
<li><div id="the-papal-bull-inter-caetera-of-may-4-1493">Indigenous Values Initiative, "Inter Caetera," translated by Sebastian Modrow and Melissa Smith,
<i>Doctrine of Discovery Project</i> (13 June 2022), <a href="https://doctrineofdiscovery.org/inter-caetera/">https://doctrineofdiscovery.org/inter-caetera/</a>.</div>
</li><br /><li>Original Free Nations, <a href="https://originalfreenations.com/">https://originalfreenations.com/</a> </li><br />
<li>Redthought,<a href="https://vimeo.com/884980223" target="_blank"> https://www.redthought.org/</a> On the first page of this site is a short video which contains the six questions JoDe Goudy asked the conference on Friday evening. Several speakers used the first three questions when they introduced themselves. As I listened to the questions, I understood that you must know who you are, where you come from, and where you are going to do this work of dismantling the Doctrine of Discovery. The short video of the six questions is also available on Vimeo, <a href="https://vimeo.com/884980223">https://vimeo.com/884980223<br /><br /></a>JoDe Goudy was the chairman of the Yskama Nation, which took a case to the U.S. Supreme Court in 2018. JoDe went to the court session to hear the proceedings, but was not allowed in. <a href="https://www.yakimaherald.com/news/local/yakama-nation-chairman-denied-access-to-u-s-supreme-court-hearing-because-of-traditional-headdress/article_2397e1c2-dc8e-11e8-a73b-0fde0865d40f.html " target="_blank">Read this article</a> to find out why!<br /></li><br />
<li>Letter from George Washington to James Duane, 7 September 1783, <a href="https://founders.archives.gov/documents/Washington/99-01-02-11798">https://founders.archives.gov/documents/Washington/99-01-02-11798</a> I know this is hard to read because of how our use of the English language has changed, but do notice how Washington refers to Indigenous people, inducing calling them "beasts of prey." </li><br />
<li>Indigenous Values Initiative,
"Ten Religious Themes of the Doctrine of Christian Discovery (DoCD) that Contrast with Indigenous Values,"
<i>Doctrine of Discovery Project</i> (26 September 2022),
<a href="https://doctrineofdiscovery.org/10-religous-dimensions/">https://doctrineofdiscovery.org/10-religous-dimensions/</a>. (added 12/14/2023)</li><br><li>SU hosts conference on white supremacy 200 years after Johnson v. McIntosh ruling. Dec. 14, 2023. <i>The Daily Orange.</i> <a href="https://dailyorange.com/2023/12/su-hosts-conference-200-years-after-johnson-v-mcintosh-ruling/">https://dailyorange.com/2023/12/su-hosts-conference-200-years-after-johnson-v-mcintosh-ruling/</a> (added 12/19/2023)</li></ul><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-13008042479669633942023-09-21T11:34:00.000-04:002023-09-21T11:34:07.078-04:00U.S. Copyright Office Extends Deadline for Comments on Artificial Intelligence Notice of Inquiry<p> From the <a href="https://www.copyright.gov/newsnet/2023/1021.html" target="_blank">U.S. Copyright Office</a>:</p><p></p><p></p><blockquote><p>The U.S. Copyright Office <a href="https://www.govinfo.gov/content/pkg/FR-2023-09-21/pdf/2023-20480.pdf">extended the deadline</a>
to submit comments in response to its August 30, 2023, notice of
inquiry regarding artificial intelligence and copyright. The new
deadlines will ensure that members of the public have sufficient time to
prepare fulsome responses to the Office's questions so the Office can
proceed with its inquiry with the benefit of a complete record of public
input and feedback.</p>
<p>Initial written comments are now due by 11:59 p.m. eastern
time on Monday, October 30, 2023. Reply comments are now due by 11:59
p.m. eastern time on Wednesday, November 29, 2023.</p><p>
The <em>Federal Register</em> notice announcing this extension and additional information, including instructions for submitting comments, are available at <a href="https://www.copyright.gov/policy/artificial-intelligence/">https://www.copyright.gov/policy/artificial-intelligence/</a>. </p></blockquote><p></p><p>The Copyright Office webpage entitled "<a href="https://www.copyright.gov/ai/" target="_blank">Copyright and Artificial Intelligence</a>" contains a lot of useful information and I encourage you to look at it. One of the resources on that page is "<a href="https://blogs.loc.gov/copyright/2021/10/artificial-intelligence-the-copyright-connection/" target="_blank">Artificial Intelligence: The Copyright Connection</a>" from 2021. I think the questions asked by Steve Andreadis are still at the center of this discussion:</p><ul style="text-align: left;"><li>How are artists, scientists, and businesses inspired by the
technological advances of AI? </li><li>When AI produces a creative work, is the
expression owned by human or machine? </li><li>What is owed to creators of AI
input data from a copyright or moral rights perspective? </li><li>What ethical
implications are involved in selecting a data set and building an AI
system?</li></ul><p>If you have thoughts on these and other questions regarding AI and copyright, consider submitting them to the Copyright Office. </p><p></p><p><br /></p><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-74091202391328306432023-09-18T09:18:00.001-04:002023-09-18T09:18:09.296-04:00Article: Generative AI is Disruptive, But More Copyright Isn’t the Answer<p>This <a href="https://publicknowledge.org/generative-ai-is-disruptive-but-more-copyright-isnt-the-answer/" target="_blank">article </a>appeared in a recent <a href="https://publicknowledge.org/" target="_blank">Public Knowledge</a> email and it seems appropriate to post because of the ongoing questions about generative AI (GAI). The article covers:</p><ol style="text-align: left;"><li>The training data</li><li>The training process</li><li>User inputs</li></ol><p>I'm sure the last section on "Expanding Copyright Law Won’t Protect Artists from GAI’s Disruption" will attract your attention.</p><p>Copyright and artificial intelligence is worth keeping an eye on, but when you do that recognize that the law isn't going to suddenly change. As I said to someone on Friday, the law changes slowly. It also changes purposefully. Right now, we all still studying what AI means to creators and how the law can help (or hurt) the situation.<br /></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-68094773034679246132023-09-06T13:58:00.000-04:002023-09-06T13:58:00.542-04:00Article: A Book Is a Book Is a Book—Except When It’s an e-Book<p>Likely you have been reading about the Hachette v. Internet Archive litigation. This is an <a href="https://www.thenation.com/article/culture/internet-archive-lawsuit-libraries-books/" target="_blank">article </a>that you might want to add to your reference list on the topic. This <a href="https://www.thenation.com/article/culture/internet-archive-lawsuit-libraries-books/" target="_blank">article </a>by Maria Bustillos starts with an analogy:</p><p></p><blockquote>Buying a book should be no different from buying an apple. When you buy
an apple, the farmer can’t show up in your kitchen later and decide your
time is up, and you’ve got to pay for it again. It’s yours forever—to
eat, or paint in a still life, or cut up for a kid’s snack. And thanks
to the first sale doctrine of copyright law, <a href="https://www.justice.gov/archives/jm/criminal-resource-manual-1854-copyright-infringement-first-sale-doctrine"><span style="font-weight: 400;">codified by Congress in 1909</span></a><span style="font-weight: 400;">,
the books on your shelves are yours forever, too, in exactly the same
way your apple is; you’re free to read them (or not), loan them to
friends, or sell them to a used bookshop, without restriction. </span><a href="https://blogs.loc.gov/copyright/2020/09/promoting-progress-celebrating-the-constitutions-intellectual-property-clause/"><span style="font-weight: 400;">Copyright law</span></a><span style="font-weight: 400;"> balances the public good—our collective right to access information—with the rights it grants to authors and inventors.</span></blockquote><p>Are you intrigued? You can read the <a href="https://www.thenation.com/article/culture/internet-archive-lawsuit-libraries-books/" target="_blank">entire article</a> on <i>The Nation </i>website.<br /></p><p></p><p><span style="font-weight: 400;"><br /></span></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-15754077182329542202023-08-29T09:00:00.009-04:002023-08-29T09:00:00.136-04:00Starting Oct. 23: U.S. Copyright Law in the Library: A Beginner's Guide
<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31s8bb6r1wnnS8HBvguzZV0VU0aKs4NVxna7GJLNaxMhWOFYk6aP8w7hcvEGtoWaABrbz3efua31FnhA-OTNXWaMqSAhsfw_1hDHM0mY_3Sx9yzhyoviFbuV8dyNuCcYFF4NFmBBHmJV0slZRICDULEm9GdGA46kMICPZurMTKBaJE5_xpBudzg/s311/Screenshot(2).png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Graphic of a brain and gear" border="0" data-original-height="304" data-original-width="311" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31s8bb6r1wnnS8HBvguzZV0VU0aKs4NVxna7GJLNaxMhWOFYk6aP8w7hcvEGtoWaABrbz3efua31FnhA-OTNXWaMqSAhsfw_1hDHM0mY_3Sx9yzhyoviFbuV8dyNuCcYFF4NFmBBHmJV0slZRICDULEm9GdGA46kMICPZurMTKBaJE5_xpBudzg/w200-h195/Screenshot(2).png" width="200" /></a></div>I want to let you know that I’ll be teaching a course on U.S. copyright law in libraries this fall/winter. This is a course that I have taught before through ALA eLearning (and always with updates).<p></p><p><b>Do you - or someone in your library - need to know more about copyright? </b>This course will guide you through the basics of copyright law and provide you with the foundation to become your library's copyright expert. Each week, we’ll explore how copyright law informs what libraries, library staff, and patrons can do with their materials and how you can stay up-to-date as copyright law and practice evolves. No previous experience or knowledge is required.</p>
<p>This course starts on Monday, October 23 and runs for 7 weeks (which includes a one-week break for Thanksgiving). You can register on <a href="https://elearning.ala.org/local/catalog/view/product.php?productid=306" target="_blank"> ALA eLearning</a>. Bulk and institutional pricing is available.</p>
<p>If you have any questions and/or are interested in bulk pricing, you can contact the folks at ALA Continuing Education at <a href="mailto:ce@ala.org" target="_blank">ce@ala.org</a>.</p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-22595349007168690532023-08-28T09:00:00.012-04:002023-08-28T09:00:00.135-04:00Moving Theory into Practice<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-ZpIOiKmvAcK3LgAs9mBYPUkUAAdIgs47vHmj-NNE6TSzgBt2XdhNWlWfRM9s4zWbr9IMfoO63iWqj4nz3bOJw7a8oagOpjXurHvVZwUEQwv6bFp39OvtdcULu720wTzD-ee89WApgazW8L34BQGwJmFoOV266S1h_ni-B3f8QRViP03P8UX5GA/s630/Screenshot(12).png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Screenshot from the conversation with Oya Rieger" border="0" data-original-height="402" data-original-width="630" height="127" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-ZpIOiKmvAcK3LgAs9mBYPUkUAAdIgs47vHmj-NNE6TSzgBt2XdhNWlWfRM9s4zWbr9IMfoO63iWqj4nz3bOJw7a8oagOpjXurHvVZwUEQwv6bFp39OvtdcULu720wTzD-ee89WApgazW8L34BQGwJmFoOV266S1h_ni-B3f8QRViP03P8UX5GA/w200-h127/Screenshot(12).png" width="200" /></a></div>In 2000, <span><a href="https://en.wikipedia.org/wiki/Anne_R._Kenney" target="_blank">Anne R. Kenney</a> and <a href="https://sr.ithaka.org/people/oya-y-rieger/" target="_blank">Oya Y. Rieger</a> wrote "</span><span class="breaker-breaker" itemprop="name">Moving theory into practice: digital imaging for libraries and archives", which was an important book on digitization. The book was born out of the workshops they developed. T</span><span class="breaker-breaker" itemprop="name">hat book is still considered an important resource. </span><span class="breaker-breaker" itemprop="name">Now the 208 page book is available to everyone <a href="https://archive.org/details/movingtheoryinto0000unse_q5h2 " target="_blank">through the Internet Archive</a>. <br /></span><p></p><p><span class="breaker-breaker" itemprop="name">On August 24, the Internet Archive hosted a conversation with Oya Rieger about the work she and Anne Kenney did and the book they developed. A <a href="https://archive.org/details/moving-theory-into-practice" target="_blank">recording </a>of the event is available through the Internet Archive (66 min.).</span></p><p><span class="breaker-breaker" itemprop="name">Listening to </span><a href="https://www.linkedin.com/in/chrisfreeland/" target="_blank">Chris Freeland</a> and Oya Rieger talk about digitization activities in the 1990s and early 2000s brought back many memories. If you have been involved in digitization over the last 30 years, it is likely the conversation will bring back memories for you too.</p><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-81066667874851611012023-07-11T06:00:00.001-04:002023-07-11T06:00:00.131-04:00Now in paperback: Change the World Using Social Media<p>Have you dipped your toe into Threads, the new social media platform by Meta? Are you thinking that you need to learn more about how to use social media, rather than using trial and error?<br /><br />In 2021, <a href="https://paulsignorelli.com/" target="_blank">Paul Signorelli</a> published the book, <span class="a-size-extra-large" id="productTitle"><i>Change the World Using Social Media</i>, through </span><span>Rowman & Littlefield.What is it about?<br /></span></p><p><span></span><span></span></p><blockquote>Starting with an overview of what social media tools provide,
Signorelli shows how social media tools can be quickly learned and
easily adapted to produce small- as well as large-scale changes when
used effectively in conjunction with other collaboration resources and
tools. </blockquote><p></p><p><span>Book chapters include:</span></p><ul class="a-unordered-list a-vertical"><li><span class="a-list-item"><span>What Is Social Media and What Can It Do for You? </span></span></li><li><span class="a-list-item"><span>Facing the Pros and Cons of Facebook</span></span></li><li><span class="a-list-item"><span>Twitter: Small Messages With Large Results</span></span></li><li><span class="a-list-item"><span>LinkedIn and Collaborative Project Management Tools: Tapping Into Business Networks</span></span></li><li><span class="a-list-item"><span>Picturing Change: Instagram, Snapchat, and Flickr</span></span></li><li><span class="a-list-item"><span>Blogging for Social Change</span></span></li><li><span class="a-list-item"><span>Broadcasts and Podcasts: YouTube, TalkShoe, and Zencastr</span></span></li><li><span class="a-list-item"><span>Videoconferencing and Telepresence: Meeting Online to Change the World</span></span></li><li><span class="a-list-item"><span>Follow the Money: Changing the World through Online Fundraising</span></span></li><li><span class="a-list-item"><span>Facing Incivility: Trolls, Online Harassment, and Fake News</span></span></li><li><span class="a-list-item"><span>Organizing to Change the World</span></span></li></ul><p><span>I was among the people Paul interviewed for the book, along with many others. We provided examples of positive social media use, how-tos, and more. All of the topics are covered in a way to be helpful as you adopt newer or different platforms.<br /></span></p>
<p><span>Now the book is available in <a href="https://amzn.to/3PNa7sI" target="_blank">paperback </a>(in addition to <a href="https://amzn.to/44byO6d" target="_blank">Kindle </a>and <a href="https://amzn.to/3PLWslw" target="_blank">hardbound</a>), which makes it available to a wider audience. Amazon provides a peek inside the book, so take a look!<br /></span></p><p><span>In 2021, Paul Signorelli, <a href="https://www.colemanassociates.net/" target="_blank">Maurice Coleman</a>, and I were interviewed by <a href="https://sfpl.org/" target="_blank">San Francisco Public Library</a> about the book and using social media. That one-hour interview is <a href="https://youtu.be/uS3FXj-lvw0" target="_blank">available on YouTube</a>. (Yes, my face is this first thing you see! Ha ha!)<br /></span></p><div class="celwidget" data-cel-widget="bylineInfo_feature_div" data-csa-c-asin="1538182432" data-csa-c-content-id="bylineInfo" data-csa-c-id="jfrddx-afilbx-xk0gyk-q8lk4i" data-csa-c-is-in-initial-active-row="false" data-csa-c-slot-id="bylineInfo_feature_div" data-csa-c-type="widget" data-feature-name="bylineInfo" id="bylineInfo_feature_div"> </div>
<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/uS3FXj-lvw0" title="YouTube video player" width="560"></iframe>
<p><br /><i>This post contains paid links from Amazon.</i></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com1tag:blogger.com,1999:blog-8137713.post-38298917710189535222023-07-07T09:00:00.037-04:002023-07-07T09:00:00.152-04:00Little Free Libraries and Diversity<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSAKeDsLXYNrg5Gh3G3ggaeDKcOG_PlvkknNw6_UxhSp53Zm33huvzi2qJUMHWsaO1we2I_nG8VCxiqXNJu96_pR1Ao43q5OdtGt9OcyLDXwnv3aCRpeOGyIbCTEoeHMiMPQvtTHB2uQfzfGu99T9IU827LxjoX8Z5eD6wIRn2ht83vWMzCNamLg/s1024/LFL_with_books.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="little free library" border="0" data-original-height="1024" data-original-width="683" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSAKeDsLXYNrg5Gh3G3ggaeDKcOG_PlvkknNw6_UxhSp53Zm33huvzi2qJUMHWsaO1we2I_nG8VCxiqXNJu96_pR1Ao43q5OdtGt9OcyLDXwnv3aCRpeOGyIbCTEoeHMiMPQvtTHB2uQfzfGu99T9IU827LxjoX8Z5eD6wIRn2ht83vWMzCNamLg/w213-h320/LFL_with_books.jpg" width="213" /></a></div><p>This spring and summer, I have seen many photos of little free libraries. Each one is carried for and each one is used. However, let's think about the items in those little free libraries.</p><p>The mantra of a little free library (LFL) is: </p><p style="text-align: center;">Take a book. Share a book.</p><p>That means that the LFL is dependent on donations. Someone may be curating the LFL, but it is unlikely that the person is filling the LFL based on a collection development policy. Even if that person does have some standards, do those standards assure diversity of content? Is the content inclusive? Is there accessible content? Does the LFL support the diversity in the community (racial, ethnic, gender, etc.)?</p><p>I've helped to install little free libraries and I've placed books in them, but the fact that they are generally reliant on donations means that a LFL may not contain the books that will resonate with the community it's in. Imagine an LFL in a Black and Hispanic community that is filled by non-Black and non-Hispanic people who don't live in that community. Will the materials in the LFL represent the community that is using it? No.</p><p>This hit home for me when I looked at a little free library outside of a food pantry and realized that the people filling the LFL were from a different demographic. <br /></p><p>I don't know how to ensure that a little free library is filled with works that are diverse and inclusive, without causing more work and more cost. Perhaps if folks recognize the problem, that can be a first step towards making each LFL more inclusive, more diverse, and better connected with the community it serves.</p><p>If you have ideas on how to solve this problem, post a comment.<br /></p><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-39981424079732337262023-06-15T15:36:00.002-04:002023-06-15T15:36:26.657-04:00Library Futures: Copyright Booth to Go!<p>A few weeks ago, Library Futures released their <a href="https://2022.libraryfutures.net/" target="_blank">2022 Annual Report</a>, which is a website that links to other resources. Library Futures had an amazing 2022 including submitting 3 amicus briefs, hosting 18 webinars, and producing 3 research papers.</p><p>One thing that caught my eye is that:</p><p><span class="block"></span></p><blockquote>Community Fellow Emily Finch converted the American
Library Association Conference copyright booth into <a href="https://uploads-ssl.webflow.com/5f308d0beb0dcb479f2d2b7c/62d85de0330928071728afa7_Copyright%20Booth%20To-go!.pdf" target="_blank">a portable Open Educational Resource</a> that can be used anywhere.</blockquote><p></p><p>You know that copyright questions often fall into specific categories and <a href="https://uploads-ssl.webflow.com/5f308d0beb0dcb479f2d2b7c/62d85de0330928071728afa7_Copyright%20Booth%20To-go!.pdf" target="_blank">this handout</a> captures that idea, while also provide using advice and pointing to other resources. </p><p>Yes, use it! It's an Open Education Resource (OER), which means it is meant to be used and shared.<br /></p><p><br /></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-9591767160185859632023-06-15T15:09:00.002-04:002023-06-15T15:09:23.024-04:00Article: What generative AI means for copyright<p>Rachel Alexander's opening text to<a href="https://www.information-age.com/what-generative-ai-means-for-copyright-123504627/" target="_blank"> this article</a> gets at our fears:</p><div style="text-align: left;"><span style="font-weight: normal;"><blockquote>Creatives are worried about being thrown out of a job by generative
AI, while artificial intelligence developers leave themselves open to
copyright infringement claims by training their AI on unlicensed
material. </blockquote></span></div><p>Her <a href="https://www.information-age.com/what-generative-ai-means-for-copyright-123504627/" target="_blank">article </a>is written from a UK perspective but does touch on approaches being used in the U.S. and EU. And if you're wondering why you should read it, this should capture your attention:<br /></p><p></p><blockquote>Generative AI presents a new scenario on which to apply questions that copyright has been grappling with for centuries such as: <i>Who can be an author?</i> <i>What is original? What constitutes ‘fair dealing’ with a protected work?</i> </blockquote><a href="https://www.information-age.com/" target="_blank">Information Age</a>, which published this article, has a number of stories on generative AI. If that is a topic you are following, you may want to follow Information Age.<br /><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-64380995299642930062023-05-31T12:44:00.001-04:002023-05-31T12:44:52.715-04:00Article: The Smithsonian Puts 4.5 Million High-Res Images Online and Into the Public Domain, Making Them Free to Use<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj04gAyr2JZn0NuSlTCLPbER3nampPJHm7BHX3W3nauyI75mL7dFbBWH5sQ7ade9dTzZRC1llV72V650i0oP_GjplFj4E4waHCffYdygisp0WIyMk2LgRPr_1uTCS3JJy_aQVn6Q74RS22yNbZfyBNKf9RfV9mc7-LUfei4RMLnhL092Td303I/s150/SAAM-1963.6.17_1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Ernest C. Peixotto's drawing of Carpenters Hall in Philadelphia" border="0" data-original-height="150" data-original-width="114" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj04gAyr2JZn0NuSlTCLPbER3nampPJHm7BHX3W3nauyI75mL7dFbBWH5sQ7ade9dTzZRC1llV72V650i0oP_GjplFj4E4waHCffYdygisp0WIyMk2LgRPr_1uTCS3JJy_aQVn6Q74RS22yNbZfyBNKf9RfV9mc7-LUfei4RMLnhL092Td303I/s16000/SAAM-1963.6.17_1.jpg" title="Philadelphia" /></a></div>This Open Culture <a href="https://www.openculture.com/2023/04/the-smithsonian-puts-4-5-million-high-res-images-online.html " target="_blank">article </a>is from April, but sharing good news about public domain images is something that shouldn't be bound by time. (In other words, better late than never!) <a href="https://www.si.edu/openaccess" target="_blank">Smithsonian Open Access</a> provides now provides new platforms and tools, which give "easier access to more than 4.5
million 2D and 3D digital items from our collections—with many more to
come. This includes images and data from across the Smithsonian’s 21
museums, nine research centers, libraries, archives, and the National
Zoo." (Smithsonian) Note that you can search and retrieve only images that have CC0 licenses (free of copyright restrictions).<p></p><p>This is a collection that is worth bookmarking and using! Consider how you can connect images from the past to events that are happening today, which could help you broaden the media that you are using.<br /></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-39226452011560825732023-05-12T10:59:00.001-04:002023-05-12T10:59:39.914-04:00Controlled Digital Lending and Libraries: A follow-up to Hachette v Internet Archive<p>Right now libraries are under pressure from several different forces including those who want to limit access to specific topics (e.g., critical race theory, LGBTQ, parts of U.S. history, etc.) and publishers who are focused on what a library is, digitization, and digital books. You might feel like hiding your head in the sand, but not is not the time for that. Knowing what has happened and what is happening is important. </p><p>It is with that in mind that I'm sharing these posts/articles that provide links to articles/commentary on the on Hachette v Internet Archive decision. Read them, skim them, save them for later...just don't ignore this, because we can't have publishers using this decision as a further step in limiting what libraries can do.<br /></p><ul style="text-align: left;"><li>Publishers Weekly. (March 2023) <a href="https://www.publishersweekly.com/pw/by-topic/industry-news/publisher-news/article/91795-hachette-v-internet-archive-all-our-coverage.html" target="_blank">Hachette v. Internet Archive: All Our Coverage</a>. </li><li>Laura Gibbs. (April 2023) <a href="https://lkgbooks.blogspot.com/2023/04/the-battle-for-libraries-has-begun.html" target="_blank">The Battle for Libraries Has begun</a>. </li><li>Gary Price (March 2023) <a href="https://www.infodocket.com/2023/03/24/judge-issues-opinion-in-hachette-book-group-et-al-v-internet-archive-et-al-plaintiffs-motion-for-summary-judgment-granted/" target="_blank">Judge Issues Opinion in Hachette Book Group, Et Al v. Internet Archive, Et Al; Plaintiffs Motion For Summary Judgment Granted</a> </li></ul><p> </p><br /><p> </p><p> </p><div class="entry-title" style="text-align: left;"><br /><br /></div><p></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-7151016005985462182023-04-24T09:30:00.004-04:002023-04-24T09:30:00.194-04:00Article: Born to be authors: the copyright of the child<p>This <a href="https://copyrightblog.kluweriplaw.com/2022/11/24/born-to-be-authors-the-copyright-of-the-child/" target="_blank">article </a>- Born to be authors: the copyright of the child - describes a prospective research project by <span class="byline">Dr. <span class="author vcard" itemprop="author" itemscope="itemscope" itemtype="http://schema.org/Person"><a class="url fn n" href="https://profiles.sussex.ac.uk/p313494-maria-frabboni" itemprop="name">Maria Mercedes Frabboni</a></span>, from the University of Sussex. She presented this prospective project at the 2022 </span>Society of Legal Scholars Annual Conference. </p><p>I think that we rarely talk about children as creators who may hold copyright in their words, so I'm thrilled to see that Dr. Frabboni is focused on this. My belief is that we need to teach children to value and respect each other's work as a step towards then teaching them about copyright. Would I teach a five year old about copyright law? No, but I would teach that child about the value of their creativity and the creativity of others. As that child gets older, they will be able to learn more about their rights in their work and the rights of others. If taught well, then we would have adults who are much more knowledgeable about the law. (Wouldn't that be awesome!)<br /></p><p>I look forward to hearing more about Dr. Frabboni's research. I hope it is widely circulated!<br /></p><p><span class="sep"></span></p><p><br /></p><p><br /></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-51457766121119163952023-04-19T11:25:00.003-04:002023-04-19T11:25:46.488-04:00New Book: Complete Copyright for K–12 Librarians and Educators, Second Edition<p>Can you have too many copyright books? Perhaps not!<br /><br />Written by Carrie Russell, who worked with copyright law for over 20 years, this new edition of <i>Complete Copyright for K–12 Librarians and Educators, Second Edition</i> is scheduled to be release this spring (so any day?). Its description is:</p><h4 style="margin-left: 40px; text-align: left;">Reflecting the dominance of digital technologies and networks across
much of the country, this timely update of Russell's handbook
demonstrates how school librarians and educators can effectively advance
learning while respecting intellectual property law.</h4><div style="margin-left: 40px; text-align: left;">
</div><p style="margin-left: 40px; text-align: left;">Particularly in places of learning, technology is all-pervasive;
because everyone is always making copies, copyright is center stage. And
copyright law, when misapplied or misinterpreted, affects not only the
way that you teach but even what you teach. With decades of experience
interpreting the intricacies of copyright law as it pertains to
librarianship, Russell is the ideal authority to address the concerns of
librarians, teachers, and teaching librarians who work in the K–12
environment. Her book will encourage you to stop allowing your fear of
copyright issues to limit how and what you share or teach, and instead
be more involved in shaping copyright law to better serve your learning
community. Through scenario-based discussions, it covers key topics such
as</p><div style="margin-left: 40px; text-align: left;">
</div><ul style="margin-left: 40px; text-align: left;"><li>the reasons librarians and teachers have so many misconceptions
about copyright, and why understanding copyright is a process, not a
one-time event;</li><li>recent legislative and policy developments that impact schools and libraries; </li><li>situations often encountered by educators, such as using copyrighted
material in class assignments, digital lesson plans, bulletin board
displays, social media, school plays, and band performances and talent
shows;</li><li>the use of licensed content in a variety of settings;</li><li>what constitutes "fair use," so that you can be empowered by knowing exactly what's possible within the law; and</li><li>guidance on making long-term strategic decisions and developing copyright policies.</li></ul><p>The book is priced at $54.99 (ALA members, $49.49). <a href="https://www.alastore.ala.org/2cck12" target="_blank">Pre-ordering</a> is available through the ALA website.<br /></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-58086185502976907092023-04-12T09:45:00.004-04:002023-04-23T15:21:33.342-04:00Webinar Resources: Developing Cultural Humility<p>Today I'm giving a webinar for the Finger Lakes Library System on cultural humility. This blog post is for them, so they have easy access to the resources I'm sharing. </p><h4 style="text-align: left;">Webinar Description<br /></h4><p style="margin-left: 40px; text-align: left;">New to your community is a large group of people from various
cultures. When they come to the library, what happens? Are you excited?
Anxious? Curious? Ready to learn? </p><div style="margin-left: 40px; text-align: left;">
</div><p style="margin-left: 40px; text-align: left;">When we interact with library patrons, community members, and other
staff, we are often moving among different cultures. Sometimes we move
among various cultures without thinking about it. Other times, we
recognize the cultural difference and are unsure how to bridge the
divide. These interactions demonstrate the need to develop a life-long
process of self-exploration and self-critique, along with a willingness
to learn from others. This process, called “cultural humility,” helps us
see beyond our own culture as we work to become culturally competent. </p><div style="margin-left: 40px; text-align: left;">
</div><p style="margin-left: 40px; text-align: left;">No matter your community or library, you are working across cultures,
including some that may not be apparent to you. In this webinar, we
will explore what culture is and the process for developing cultural
humility, while also creating a plan for expanding our knowledge of the
apparent and hidden cultures in our communities. <br /></p><p></p><h4 style="text-align: left;"> Pre-reads</h4>
<ul>
<li>Adilene Rogers. (2018) <a hef="https://teenlibrariantoolbox.com/2018/11/12/cultural-humility-in-librarianship-what-is-it/" href="https://teenlibrariantoolbox.com/2018/11/12/cultural-humility-in-librarianship-what-is-it/" target="_blank">Cultural Humility in Librarianship: What is it?</a> <i>School Library Journal.</i></li><li>Lincoln Hill. (2020) <a href="https://forge.medium.com/cultural-humility-is-the-key-to-true-allyship-326a663d7e53" target="_blank">This Overlooked Trait is the Key to True Allyship</a>, <i>Medium. </i><i> </i> </li>
<li>Over Zero (2023) <i> <a href="https://static1.squarespace.<wbr></wbr>com/static/<wbr></wbr>5f7f1da1ea15cd5bef32169f/t/<wbr></wbr>64074072d3daa3704b5774d0/<wbr></wbr>1678196851632/The+Belonging+<wbr></wbr>Barometer+%E2%80%94+The+State+<wbr></wbr>of+Belonging+in+America+%281%<wbr></wbr>29.pdf">The Belonging Barometer, </a></i><a href="https://static1.squarespace.<wbr></wbr>com/static/<wbr></wbr>5f7f1da1ea15cd5bef32169f/t/<wbr></wbr>64074072d3daa3704b5774d0/<wbr></wbr>1678196851632/The+Belonging+<wbr></wbr>Barometer+%E2%80%94+The+State+<wbr></wbr>of+Belonging+in+America+%281%<wbr></wbr>29.pdf">pages 2-4 ("The Roots of Belonging" and "Belonging & Othering"</a><i><a href="https://static1.squarespace.<wbr></wbr>com/static/<wbr></wbr>5f7f1da1ea15cd5bef32169f/t/<wbr></wbr>64074072d3daa3704b5774d0/<wbr></wbr>1678196851632/The+Belonging+<wbr></wbr>Barometer+%E2%80%94+The+State+<wbr></wbr>of+Belonging+in+America+%281%<wbr></wbr>29.pdf">)</a></i>.</li>
<li>TV 2 Denmark.(2017) <a href="https://www.youtube.com/watch?v=jD8tjhVO1Tc" target="_blank">All That We Share</a>. (3 min.) </li></ul><h4 style="text-align: left;"> Presentation Resources<br /></h4><ul>
<li>Trainers Library. (2020) <a href="https://www.trainerslibrary.org/promoting-cultural-competence/">Promoting cultural competence.</a></li>
<li>Project Ready. <a href="https://ready.web.unc.edu/section-1-foundations/module-8/">Module 8: Cultural Competence & Cultural Humility.</a></li>
<li>Winters, M-F. (2014) Cultural Competence. The Inclusion Solution.</li>
<ul>
<li><a href="http://www.theinclusionsolution.me/cultural-competence-part-1-what-is-it-really/">Cultural Competence – Part 1: What Is It Really?</a></li>
<li><a href="http://www.theinclusionsolution.me/cultural-competence-part-2-why-is-it-important/">Cultural Competence – Part 2: Why Is It Important?</a></li>
<li><a href="http://www.theinclusionsolution.me/cultural-competence-part-3-how-do-you-become-more-culturally-competent/">Cultural Competence – Part 3: How Do You Become More Culturally Competent?</a></li>
<li><a href="http://www.theinclusionsolution.me/cultural-competence-part-4-you-have-to-do-the-work/">Cultural Competence – Part 4: You Have To Do The Work</a></li></ul>
</ul><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-31604122026159565232023-03-16T14:45:00.004-04:002023-03-16T14:45:51.124-04:00The Publisher Playbook: A Brief History of the Publishing Industry’s Obstruction of the Library Mission<p> The <a href="https://dash.harvard.edu/handle/1/37374618" target="_blank">pre-print </a>of this new book is available.<br /></p><div class="simple-item-view-doi item-page-field-wrapper table">
<h4 style="text-align: left;">
Citation:
</h4>
<span>Courtney, Kyle K. and Juliya Ziskina. 2023. "The Publisher
Playbook: A Brief History of the Publishing Industry’s Obstruction of
the Library Mission." <a href="https://dash.harvard.edu/handle/1/37374618" target="_blank">Pre-print</a>.</span>
</div>
<div class="simple-item-view-abstract item-page-field-wrapper table">
<h4 style="text-align: left;">Abstract:</h4>
<span>Libraries have continuously evolved their ability to provide
access to collections in innovative ways. Many of these advancements in
access, however, were not achieved without overcoming serious resistance
and obstruction from the rightsholder and publishing industry. The
struggle to maintain the library’s access-based mission and serve the
public interest began as early as the late 1800s and continues through
today. We call these tactics the "publishers' playbook." Libraries and
their readers have routinely engaged in lengthy battles to defend the
ability for libraries to fulfill their mission and serve the public
good. The following is a brief review of the times and methods that
publishers and rightsholder interests have attempted to hinder the
library mission. This pattern of conduct, as reflected in ongoing
controlled digital lending litigation, is not unexpected and belies a
historical playbook on the part of publishers and rightsholders to
maximize their own profits and control over the public’s informational
needs. Thankfully, as outlined in this paper, Congress and the courts
have historically upheld libraries’ attempts to expand access to
information for the public’s benefit.</span>
</div><p> </p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-81236364508733070382023-03-16T14:42:00.003-04:002023-03-16T14:44:25.110-04:00April 20: Digital Copyright book talk with Brewster Kahle and Jessica Litman<p> From the Internet Archive. Register <a href="http://blog.archive.org/2023/03/16/book-talk-digital-copyright/" target="_blank">here</a>.<br /></p><hr /><p><span style="font-size: 18px;"><b>April 20—Digital Copyright</b></span>
</p><p style="color: #2a2a2a; font-family: Helvetica; font-size: 16px; line-height: 150%; margin: 10px 0px; padding: 0px; text-align: left;">Join Internet Archive’s founder <b>BREWSTER KAHLE</b> for a virtual book talk with author & professor of law <b>JESSICA LITMAN</b>.<br />
<br />
In <i>Digital Copyright</i>, law professor <b>Jessica Litman</b> questions
whether copyright laws crafted by lawyers and their lobbyists really
make sense for the vast majority of us. Should every interaction between
ordinary consumers and copyright-protected works be restricted by law?
Is it practical to enforce such laws, or expect consumers to obey them?
What are the effects of such laws on the exchange of information in a
free society?<br />
This discussion is co-sponsored by <b>Authors Alliance</b>.<br />
<b>April 20 @ 10am PT / 1pm ET</b></p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-90214644480034119112023-03-03T15:37:00.002-05:002023-03-03T15:37:06.904-05:00Sumposium: Exploring the Future of Digital Library Loans: Controlled Digital Lending, March 10 (in-person & virtual)<p>Details are below and at <a href="https://wnylrc.org/cdl" target="_blank">https://wnylrc.org/cdl</a>. Note that registration will close on March 7.<br /></p><hr /><p style="text-align: center;"><b>Exploring the Future of Digital Library Loans: Controlled Digital Lending </b><br /></p><p style="text-align: center;"> March 10 @ 10:00 am - 3:00 pm (EST)</p><p><a href="https://wnylrc.org/workshops/479" target="_blank">Register here for the virtual only version of the symposium</a></p>
<p><a href="https://wnylrc.org/workshops/475">Register here for the in-person version of the symposium</a>. Lunch will be provided only to in-person attendees.</p>
<p>Join us in person or online for a one day symposium on controlled
digital lending. You will learn what controlled digital lending is,
where the concept came from, the technical aspects of how it works in
the library, and the legal frameworks of controlled digital lending.</p>
<p>This symposium is being offered in a hybrid format. There are two
registration pages - one for in-person, one for online. Please ensure
you are on the correct page for the format you desire before
registering.</p>
<p>The in-person version of the conference will be hosted at the <a href="https://wnylrc.org/" target="_blank">Western New York Library Resources Council</a> (Airport Commerce Park East, 4950 Genesee Street, Suite 170, Cheektowaga, NY 14225). Lunch will be provided.</p>
Online registrants will receive the Zoom information one day prior to
the event taking place. Live transcription and closed captioning will
be provided via Otter.ai and Zoom.<br /> <br /> <b>Presenters:</b><br /> Tom Bruno <i>(University of Pennsylvania Libraries)</i><br /> Charlie Barlow <i>(Boston Library Consortium)</i><br /> Reed Jones <i>(State University of New York at Buffalo)</i><br /> Sui Mei Grierson <i>(State University of New York at Buffalo)</i><p> </p><div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com0tag:blogger.com,1999:blog-8137713.post-14905133695065282142023-03-01T14:25:00.002-05:002023-03-08T10:45:03.171-05:00Stepping into the role of Executive Director of Widerstand Consulting<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZwHEtFGlfr0sOSqnqSaHSHtHSoY58zNo3RFN3CuEFyiVrylYjMoV9hO-_iV_Bw_2WU7A3gT_HDzaIdTLx6mhZ4LkTaIVG93tgJmHyPPfweSiESL7voOcJNU8utkaBGEyfWoANxj1NTbpx442HFHXGr6-BVjHoS5xSN4ltPmaKC4klZ3kXTxo/s652/Screenshot(1).png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Tobin Miller Shearer" border="0" data-original-height="425" data-original-width="652" height="131" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZwHEtFGlfr0sOSqnqSaHSHtHSoY58zNo3RFN3CuEFyiVrylYjMoV9hO-_iV_Bw_2WU7A3gT_HDzaIdTLx6mhZ4LkTaIVG93tgJmHyPPfweSiESL7voOcJNU8utkaBGEyfWoANxj1NTbpx442HFHXGr6-BVjHoS5xSN4ltPmaKC4klZ3kXTxo/w200-h131/Screenshot(1).png" width="200" /></a></div><p>Tobin Miller Shearer entitled his post "<a href="http://tobinmillershearer.blogspot.com/2023/02/stepping-down-from-widerstand.html?view=magazine" target="_blank">Stepping down</a>" and so it seems fitting that I use the words "Stepping into" as part of the title of my post, as I step into the role that Tobin has held as founder and executive director of <a href="https://www.widerstandconsulting.org" target="_blank">Widerstand Consulting</a>. Tobin is leaving the E.D. position due to his increased academic role at the University of Montana. So in May, I will step into shoes that have "walked the walk" or, in other words, talked about being antiracist while working to be antiracist and help others to do the same. Tobin is leaving large "shoes" for me to fill!</p><p>I have yet to find a written bio of Tobin that tells all he has been involved in. When looking at his <a href="https://hsapp.hs.umt.edu/employee-database/index.php/pubtools/serveFile/files/1174/Shearer_-_CV_-_central4.pdf" target="_blank">CV</a> as well as the <a href="https://www.amazon.com/stores/Tobin-Miller-Shearer/author/B003W3W5TG?store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true&linkCode=ll2&tag=digitization1-20&linkId=e0ee00ad31ee176987216db429e44c33&language=en_US&ref_=as_li_ss_tl" target="_blank">books</a> he's written, you can see the depth of his thinking and work. However, his CV doesn't show his non-academic work, work with non-profits, or all of anti-racism efforts. He's being doing this work for a long time, including working with the <a href="https://www.rootsofjusticetraining.org/8203damascus-roadrsquos-transition-out-of-mcc-us.html" target="_blank">Damascus Road Antiracism Process</a>, <a href="https://www.rootsofjusticetraining.org/" target="_blank">Roots of Justice</a>, and then founding Widerstand. <br /></p><p></p><h4 style="text-align: left;">What is Widerstand Consulting?</h4><p></p>Widerstand (pronounced wider-stand) was born out of a long history of antiracism work done by Tobin and others, and in response to requests for antiracism consulting and training in the wake of the racial justice events of 2020. Widerstand is a 501(c)(3) with a majority BIPOC<sup>1</sup> board of directors and a consulting team of folks with a breadth of identities, experience, and industry expertise. In Widerstand, interracial teams are the norm and not the exception.<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP5fRdyGm6dacBmn714CtAdzculkq3l7mRHHe__lgcDKSQEHZd1REoJBqrfu_KYLzqAFU-OhhIun7dWzOWKrAKcNvHz5PX8eDri0ZDRDb97oWvsZ8WGxC2YwAJ5wj5B9a5bMb0duICqwQnXJ56ldDyxWuNXbJT8dp51vTmgA6ivaCvvv9kXCI/s549/Screenshot(4).png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Widerstand Consulting logo" border="0" data-original-height="118" data-original-width="549" height="43" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP5fRdyGm6dacBmn714CtAdzculkq3l7mRHHe__lgcDKSQEHZd1REoJBqrfu_KYLzqAFU-OhhIun7dWzOWKrAKcNvHz5PX8eDri0ZDRDb97oWvsZ8WGxC2YwAJ5wj5B9a5bMb0duICqwQnXJ56ldDyxWuNXbJT8dp51vTmgA6ivaCvvv9kXCI/w200-h43/Screenshot(4).png" width="200" /></a></div><p>While Widerstand, as an organization, is relatively new, the folks within Widerstand are not new to this work. In fact, I am impressed by the decades of antiracism work some folks have done with non-profits, libraries, and religious groups. Some are involved in several groups that are focused on this work, because they understand the importance of this effort.</p><p>Widerstand is hired by organizations that want to understand how they can be more antiracist. For them, Widerstand conducts antiracism audits. In addition, Widerstand provides online and in-person training, and consulting services. </p><p>As a 501(c)(3) nonprofit organization, Widerstand re-invests at least 50% of its net income in BIPOC-led racial justice groups.That is an amazing commitment!<br /></p><p>By the way, besides its website, Widerstand has a presence on <a href="https://www.facebook.com/widerstandconsulting" target="_blank">Facebook </a>and <a href="https://twitter.com/widerstandcon" target="_blank">Twitter</a>. When you sign-up for the <a href="https://www.widerstandconsulting.org/free-resources" target="_blank">free resources</a> on the Widerstand website, you will also be registered to receive its monthly newsletter.<br /></p><h4 style="text-align: left;">What will I be doing? <br /></h4><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYKAsbaxpJkBNYEgY6_Pfqb4f8x3JA7ZmrCI95CnV6uZizcg1uuHO33eAPzLYZdOqtQBzg80SuAlwPyQuqoYpO2z9UKoLBMv6sbkrO5MgWgqDS9Ig3NckZvkH0JK0rDvS1CM9XDbM8jiOYXAzCR2I75huxt71NKBoKeMXhnH-iXTO7NX1QXqU/s3088/Caesarea_by_the_Sea.JPG" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Jill Hurst-Wahl" border="0" data-original-height="3088" data-original-width="2316" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYKAsbaxpJkBNYEgY6_Pfqb4f8x3JA7ZmrCI95CnV6uZizcg1uuHO33eAPzLYZdOqtQBzg80SuAlwPyQuqoYpO2z9UKoLBMv6sbkrO5MgWgqDS9Ig3NckZvkH0JK0rDvS1CM9XDbM8jiOYXAzCR2I75huxt71NKBoKeMXhnH-iXTO7NX1QXqU/w150-h200/Caesarea_by_the_Sea.JPG" width="150" /></a></div>I've already been meeting with members of the Widerstand team and getting to know everyone, asking what their vision for Widerstand is, and getting a sense for our capacity. We know that the need for the work we do is great and we know Widerstand can do more.<p></p><p>On a day-to-day basis, I will talk with prospective clients, check-in on current projects, ensure that the Widerstand teams have the resources they need, and work with our staff and board members, including our treasurer. The Widerstand team is geographically dispersed. Thankfully negotiating different time zones is not a problem for me!</p><p>I have been on an antiracism audit team which specifically conducts antiracism audits for libraries, and I'll continue that work. (Widerstand also does antiracism audits for other types of organizations.) Those audits help an organization understand where it is on its journey of becoming an antiracist
organization and how it can continue to move forward. <br /></p><h4 style="text-align: left;">What about the rest of my work (and this blog)?</h4><p>Widerstand now becomes part of what I do and I will continue to do other work, including consulting projects, webinars, serving on committees, etc. Yes, I'll continue to think, write, and teach about copyright. I am and will be a busy person. It seems that being busy is what I enjoy! What this has done, though, is made me think about "how busy" I want to be. And in that regard, I know that I need to be mindful of balancing work, friends, and family. </p><p>As for this blog, it will continue. From 2018-2022, I've averaged 72 blog posts per year, and I hope to continue that trend. And, yes, I will keep most of those posts focused on copyright, digital assets, and libraries.</p><p>If you have read this far, thank you! Unknowingly, you have been on a journey with me and I hope you will continue walking with me through this blog.<br /></p><p><br /></p>
<hr />
<sup>1</sup> This acronym stands for Black, Indigenous, and People of Color. This is person-first language, which shifts away from terms like “marginalized” and “minority.” The phrase “People of Color” is a broad term, which includes those who are Black or African American, East Asian, Hispanic, Latinx, South Asian, and Hawaiian and other Pacific Islander. <div class="blogger-post-footer"><p><i>This <span xmlns:dc="http://purl.org/dc/elements/1.1/" href="http://purl.org/dc/dcmitype/Text" rel="dc:type">work</span> is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/3.0/us/">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p></div>Jill Hurst-Wahlhttp://www.blogger.com/profile/16355882159165026398noreply@blogger.com1